Blog

March 14, 2017
NDEBELE BEADWORK. part 1

Tantalizing the imaginations of artists and designers, the iconic art of Ndebele women has graced the surfaces of aeroplanes, motor vehicles, walls and the body, reaching international acclaim. But this wasn’t always so.

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February 9, 2017
FONG KONG ZULU

A peek at the  current changes in dress of the Zulu people of Southern Africa. part 1

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January 7, 2017
RED, BLACK AND WHITE COTTON CLOTHS IN SOUTH AFRICA

Comments about current changes in dress, part 2 The journey of these cloths from manufacture to internment is unique in Africa. Redefining our perceptions of ritual items and their purpose.

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November 4, 2016
Beads and Beadwork of the San people, Southern Africa. Part 2

This article briefly discusses bead making, the construction methods of beadwork, and influences of the San healing systems on the material culture of others.

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November 4, 2016
Beads and Beadwork of the San people, Southern Africa. part 1

  In the blistering heat, hunting and running down the next meal can take days. So it is surprising that the San had the time, energy or will to make beads. The fact they did, conveys as much about the significance, symbolism and holistic function attributed to beads, as it does about the human need […]

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August 26, 2016
BEER AMONGST THE ZULU PEOPLE OF SOUTH AFRICA

Frothy and nutritious, local beer called utshwala is much beloved by the Zulu people, and besides mere recreational enjoyment, it also serves other functions.

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August 4, 2016
WIRE WORK BOTTLES, ZULU PEOPLE, SOUTH AFRICA

Vibrant, pulsating and alive - unique telephone wire woven designs made by Zulu men to encase glass bottles reflect one aspect of the development of a popular culture between the 1950’s and 1980’s in Southern Africa.

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June 7, 2016
MAT HOLDERS, ZULU, SOUTH AFRICA

  Practical, utilitarian, sometimes with a jazzy decorative appeal these items were considered a relevant part of gift exchange at marriage ceremonies in Kwa Zulu Natal, last century.

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February 16, 2016
BEDU MASKS, GHANA

   The colonials considered this visually forceful artistic tradition and masquerade ceremony subversive. The reason why is evident.

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